Piper, John: Arundel (white background)
Designed by John Piper, this beautiful screenprinted fabric was manufactured by Arthur Sanderson who commissioned the artist as part of the Sanderson Fabrics centenary celebrations in 1960. This full panel with a white background is in excellent condition and is professionally mounted, glazed and framed on commissioning. Once framed, this is a very expensive fabric to have packaged and delivered and regrettably, unless it’s collected, we have to make an additional charge £50 towards shipping costs.
The design is composed of a repeat of fifteen brightly coloured vertical frames. Each section is a vibrant abstract composition of colour and forms in its own right. However, there is a loosely described draped figure within each of the frames, each of which has the suggestion of a crown on their head. The repetition of figures in the design recalls the carved figures around the base of the tomb of Thomas, 5th Earl of Arundel (d.1415) in the Fitzalan Chapel of Arundel Castle.
More images can be provided on request.
Artist: John Piper (1903 – 1992)
Title and date: Arundel, 1959, issued 1960
Size: 39 x 120 cms.
Born in Epsom, John Egerton Christmas Piper studied at Richmond School of Art and the Royal College of Art from 1927-8. In the mid 1930s, after a visit to Paris, he turned to abstraction. He became a member of the London Group in 1933 and the ‘Seven and Five’ group in January 1934. During this period he became friends with Oliver Simon of the Curwen Press and his interest in lithography and print making grew. During the Second World War, Piper was appointed as an official war artist recording the effects of the blitz on Britain’s buildings, especially churches. After the war, he became a Trustee of the Tate and National Galleries and in 1959 he became a member of the Royal Fine Art Commission. Piper is best known for his extensive studies of British architecture and landscape in oil, watercolour and print, and for his photography, stained glass, ceramics, fabric design, murals, stage sets and costume design as well as some 40 years editing the Shell Guide series. His work is held in many Museums and Galleries.