Gris, Juan: Nature Morte – SOLD

Description

Artist: Juan Gris, (1887 – 1927)

Title and date: Nature Morte, 1922/1953

Size of picture:  8 x 11.5 ins.

Description: originally produced in 1922, this is a stylish cubist still life using a technique known as ‘pochoir’ – a stencilled print hand coloured in gouache. A limited number were printed in Paris in 1953 at the studio Arcay using the same technique, and published by Editions d’Art d’Aujourd’hui, of Boulogne. This rare print has recently been remounted and is framed.

More images can be provided on request.

Artist description:

Born in Madrid. Gris studied mechanical drawing at the Escuela de Artes y Manufacturas in Madrid from 1902 to 1904.. From 1904 to 1905 he studied painting with the academic artist José Maria Carbonero. In 1906 he moved to Paris and became friends with Henri Matisse, Georges Braque, Fernand Léger, and in 1915 was painted by his friend, Amedeo Modigliani. In Paris, Gris followed the lead of another friend and fellow countryman, Pablo Picasso. His portrait of Picasso in 1912 is a significant early Cubist painting done by a painter other than Picasso or Georges Braque. (Although he regarded Picasso as a teacher, Gertrude Stein acknowledged that Gris “was the one person that Picasso would have willingly wiped off the map.”)

By 1912 he had developed a personal Cubist style. At first he painted in the analytic style of Cubism, but after 1913 he began his conversion to synthetic Cubism, of which he became a steadfast interpreter, with extensive use of papier collé. Unlike Picasso and Braque, whose Cubist works were monochromatic, Gris painted with bright harmonious colours in daring, novel combinations in the manner of his friend Matisse.

In 1924, he first designed ballet sets and costumes for Sergei Diaghilev and the famous Ballets Russes. Gris articulated most of his aesthetic theories during 1924 and 1925. He delivered his definitive lecture, Des possibilites de la peinture, at the Sorbonne in 1924. Major Gris exhibitions took place at the Galerie Simon in Paris and the Galerie Flechtheim in Berlin in 1923, and at the Galerie Flechtheim in Dusseldorf in 1925. He died in Boulogne-sur-Seine (Paris) in the spring of 1927 at the age of forty, leaving a wife, Josette, and a son, Georges.